Netflix Has a 100% Rotten Tomatoes Horror Movie That’s a Masterclass in Psychological Warfare

The horror genre is having quite the moment, as evident with the massive success of Backrooms and Obsession. But if you don’t feel like venturing to the theater, Netflix has plenty of options to choose from. To finally come across Luis Javier Henaine’s Disappear Completely, one has to dig deep — almost as deep as the movie’s main character in his search for a cure to the curse that threatens to turn him into a kind of living corpse, a karmic punishment for his own misdeeds as a photojournalist specialized in crime scenes.

Disappear Completely premiered in 2022 at Austin’s Fantastic Fest, and landed on Netflix in April 2024. While it made its way to the streamer’s Top 10 in its native Mexico, it has struggled to find an audience in other countries where it is readily available. Henaine’s film has a 100% rating on Rotten Tomatoes, and it is indeed a gem that deserves to be seen.

What Is ‘Disappear Completely’ About?

The film, which relies more on psychological horror than on traditional jumpscares, is a character study surrounding a man’s relationship with his profession and his family. The premise is creative and terrifying from the get-go: Santiago (Harold Torres), a photojournalist who sells pictures of crimes and accidents to tabloids, falls victim to a curse after shooting a particularly gruesome scene featuring a still living, but completely unresponsive politician partly devoured by rats. Unbeknownst to him, Santiago’s camera has captured the presence of a demonic entity that traps him in the same web as the senator (Juan Sahagun) he just photographed. Little by little, Santiago starts to lose all of his five senses.

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As Santiago races against time to find a cure for his predicament, going from doctors to shamans to the very demon that has hexed him, his girlfriend, Marce (Tete Espinoza), faces troubles of her own. Pregnant with Santiago’s child, she wishes to have the baby and build a happy family. However, Santiago claims that they are not ready to have a child, and pressures her to have an abortion. This relationship with Marce and his unborn baby ends up being essential to how Santiago deals with his curse.

Mixing an urban vibe with folk horror, Disappear Completely is a movie that dabbles in witchcraft, superstition, and politics, with the cursed senator having been victimized by a political rival. However, the focus of the plot is Santiago himself. The movie asks us to place ourselves in his shoes, forcing us to wonder what it would feel like to be in such a terrifying predicament. The final scenes make this invitation to identify with the main character all the more obvious: as Santiago is losing his sense of hearing, we can barely understand the sounds around him. Eventually, in the blink of an eye, the whole movie goes quiet. As he loses his sight, the image becomes blurry, until it… disappears completely.

‘Disappear Completely’s Director Was Intentional About Creating a Personal Film

Harold Torres as Santiago looking at photographs in a dark room

Director Luis Javier Henaine was intentional in creating an immersive, realistic experience for the audience while filming Disappear Completely, as he shared during an interview with Eye For Film. Rather than relying on jump scares or musical cues, he aimed to “make a more personal film with more down to earth issues,” while still balancing the element of witchcraft and folk horror. He said:

“Here in Mexico, witchcraft is something that people take very seriously and something very, very real for the majority of our population. And I like to reflect that in a way. So, all the time, I was trying to say, ‘Okay, this has to look real, this has to feel real, this has to be very realistic.’ And that’s how I tried to go throughout the whole film, with the production design and with the cinematography and with everything. Our references were real things, how people behave in these environments. . . ”

Placing the audience in Santiago’s shoes is one of the reasons Disappear Completely is so unnerving — it feels personal. At the heart of the film is Santiago’s struggles with being a potential father and a supportive partner for Marce. When reading the script, Henaine envisioned “a very immersive filmmaking style,” one that would make the audience active participants rather than passive observers of Santiago’s slow descent into a tomb of his own flesh. “I thought it would be great to just when, when he starts losing his sense of hearing, just play slowly with the whole film as well, make it subjective, put the audience in the character’s mind,” Henaine explained.

‘Disappear Completely’ Presents Photography as the Ultimate Horror

Disappear Completely presents us with a kind of horror that would be disturbing no matter who it befell. Still, when we take into consideration Santiago’s profession, the film gains additional layers. At the same time that Henaine and his fellow screenwriter Ricardo Aguado-Fentanes ask us to identify with Santiago in his plight, they also make it pretty clear that he is someone we should despise. Santiago is not a tabloid photographer because that’s the only job he can find — he seems to enjoy taking pictures of mangled bodies and even attempts to make it into a form of high art. The movie shows us that he has fun creating tasteless titles for the stories that will accompany his pictures, and right in the beginning we learn that he is trying to sell some of his photos to art galleries. This is, in itself, terrifying: in a way, the biggest horror in Disappear Completely is becoming the subject of one of Santiago’s photographs.

When he is cursed, Santiago is doomed to become one of his own photographs. His fate is, in a way, an ironic punishment: he has condemned so many dead people to a living death that he will, himself, become a tomb in the cemetery that is the entire world. Disappear Completely is definitely a movie with something to say, and it turns its eyes specifically to the art of creating images. To an extent, it is even fitting to watch Santiago’s downfall happen in a movie instead of, say, reading about it in a book, for the image is essential for us to understand what is happening to him. As we gaze at Santiago, we wonder if what is happening to him might one day happen to us as well. After all, in the age of smartphones and social media platforms where privacy goes to die, haven’t we all produced our own fair share of images that trap people in a single, unchangeable moment?